Hedon is hedonistic & humanistic, but not egoistic sans serif family. Comes out with 4 weights and matching Italics. It declares as neutral, versatile and legible partner for any kind of publications, with tiny dose of impressible characteristics that tenderize it’s base.
OTF | 8 Fonts | JPEG Preview | 5.9 Mb RAR
Bulgary is a surreal script that combined brush lettering with traditional hand writing. It is multipurpose and flexible, make it easy to match with another typefaces to create some beautiful project such as wedding invitation, vintage design, greeting card, poster, book cover, illustration, etc. Bulgary script comes with 289 glyphs in total and more than 100 alternate characters which you can mix and match to fit your design. It was divided into a several OpenType feature such as Ligature, Contextual Alternates, Stylistic Alternates, and Stylistic Sets. To Access all alternate characters, you can use OpenType savvy program such as Adobe Illustrator or Adobe InDesign.
OTF + TTF | 2 Fonts | JPEG Preview | 4.7 Mb RAR
Euroscript Pro is the digital version of Ralph M. Unger’s handwriting, a very talented and hard-working German type designer. Unger has redesigned a large number of beautiful ancient typefaces during the last few years. Peter Rosenfeld of profonts persuaded him to try and design his own very beautiful handwriting. Kind of hesitant at the beginning of the design process, Unger’s joy and excitement about the project was continuously growing during the design process. He designed not only the standard character complement West, but added all of the Eastern European Latin glyphs and, on top of that, even the complete Cyrillic characters. Born and grown up in Thüringen, former East Germany, Unger has a fair knowledge of Polish and also Russian (Cyrillic). Euroscript Pro is a very beautiful, casual, informal and modern handwriting of a contemporary type designer. Even though a digitized handwriting, it keeps a very natural and pleasant look, at the same time being generous and well-readable. The individual characters combine quite easily and perfectly with no need for extra variants. Euroscript Pro is well-suited for plenty of applications, e.g. personal correspondence, invitations, greeting cards, headlines etc. Euroscript Pro is supplied in the complete Latin character set (West + East) plus Cyrillic.
OTF | 1 Font | JPEG Preview | 1 Mb RAR
Ladybird - a lively and playful typeface which will bring lots of fun to your design, features lots of ligatures and a few alternates. Ladybird’s joyful nature will bring excitement and interest to headlines, packaging, posters, cards and so much more! Interesting and unique, yet legible, let Ladybird land on your designs!
OTF | 1 Font | JPEG Preview | 1 Mb RAR
A revival of “Gras Vibert”, a French fat face originally cast by the Didot typefoundry in Paris. It was cut in 1840 by Vibert, an engraver employed by the foundry. The capitals are heavier than the lowercase letters, and the characters g, k, y and & are rather peculiarly shaped, exaggerating the vertical stress. The font is designed for large sizes.
OTF | 1 Font | JPEG Preview | 1 Mb RAR
Red Ring and Red Square - the super-family of two families of fonts. The super-family includes sanserif Red Ring and geometric font Red Square. Families are synchronized by the number and weight of the typefaces and can be used either separately or together. Together Ring and Square produce a cumulative effect of Art Deco and Constructivism.
OTF | 5 Fonts | JPEG Preview | 1 Mb RAR
Swift 2.0 Cyrillic Font Family
Gerard Unger developed this newspaper font between 1984 and 1987 for Dr.-Ing. Rudolf Hell GmbH, Kiel. He was mainly influenced by William A. Dwiggins (1880-1956), the typographic consultant of Mergenthaler Linotype, who started to develop more legible, alternative fonts for newspaper printing as early as 1930. Swift was named after the fast flying bird. Austere and concise, firm and original, Swift is suited for almost any purpose. Swift has been specially developed to sustain a maximum of quality and readability when used in unfavorable print and display processes, e.g. newspapers, laser printing and low resolution screens. Its robust, yet elegant serifs and its large x-height provide an undeniable distinction to the typeface, making it suitable for corporate ID and advertising purposes as well. Swift 2.0 family was designed in 1995. It’s an improved version with technical and aesthetic enhancements and new family members. The Cyrillic version was developed for ParaType in 2003 by Tagir Safayev. Please note that this family includes only basic latin characters; it does not include accented characters required for western and central Europe.
OTF | 8 Fonts | JPEG Preview | 1 Mb RAR
Conceptualized by Dalton Maag font developer, Spike Spondike, Blenny is a true individual, with elegant hairlines and exaggerated ball terminals. Soft, voluptuous curves and a retro feel make it suitable for branding, bold headlines, or product labels. Blenny comes in one weight and supports two script systems, Latin and Thai. Inspiration comes from everywhere and Spike’s early sketches for Blenny played with a vintage, seafaring theme inspired by visits to the beach at St Leonards on the South Coast of England. Other influences included the retro typefaces used on old electronics equipment and gin bottles. It was Spike’s previous experience of working with Thai, and a trip to Bangkok, which prompted her to connect the diversity of shapes in the Thai script with the design of Blenny. Spike relished the challenge of creating the Thai glyphs whilst maintaining the key features of Blenny’s design. Creative decisions on the Thai in turn led back to refinements to the original Latin. For Spike, the end result is visually very pleasing. “Individual glyphs such as the “a” seem to wrap around themselves in a hug”. Bruno Maag, Chairman of Dalton Maag loved the design from the minute he laid eyes on it. “I’m considering having a tattoo done with it”. In honor of their new font, Dalton Maag has created the Blenny gin cocktail. Just like the font it’s named after, a Blenny is bold, punchy and has a touch of class.
TTF | 1 Font | JPEG Preview | 1 Mb RAR
Legionary is a new sans-serif with six font styles. It would look nice in magazines, on food packages, posters and flyers.
OTF | 6 Fonts | JPEG Preview | 2.8 Mb RAR
Dexsar Brush is the high detailed brush font that has over 240 glyphs and equipped with OpenType feature for make custom feel for your design. This font is designed for design purposes such as t-shirts, logos, posters and etc.
OTF + TTF | 1 Font | JPEG Preview | 3.2 Mb RAR
Pragmatica Slabserif was designed as a complement to the popular type family Pragmatica by Vladimir Yefimov and Isabella Chaeva (1989-2004) by addition of square serifs. Inspired by Helserif (Phil Martin, 1978) which was formed in the same way by addition of square serifs to Helvetica (Eduard Hoffman and Max Miedinger, 1957). First sketches of Pragmatica Slabserif were created by Vladimir Yefimov in 1988 during development of Pragmatica. Olga Umpeleva designed the whole slabserif type family of six weights basing on those sketches. All styles of Pragmatica Slabserif coordinate with corresponding Pragmatica styles on metrics, proportions, weights and design. The new family can be used together with Pragmatica and separately. It’s convenient for technical texts, for magazines of general nature, for business applications as well as for advertising and display matter. Pragmatica Slabserif was released by ParaType in 2011.
OTF | 6 Fonts | JPEG Preview | 3.7 Mb RAR
Bisque is designed with a sense of play and rhythm, with intermittent areas of quietness, bringing a sense of ‘bounce’ to text. The combination of classic typographic forms and proportions with expressive, contemporary features create a typeface with charisma and joy. The 2011 revision involved adding an extended glyph set for much wider setting applications.
OTF | 2 Fonts | JPEG Preview | 4.3 Mb RAR
Loew is a geometric sans serif font influenced by the methods of the early industrial designers. Pure mechanical shapes are carefully adjusted to give the characters the right form, function and usability. These subtle human touches combined with the technical detail provide great readability at both large and small point sizes. Loew is a versatile sans serif font with simple and honest geometry aimed at a wide range of modern applications. Details include over 800 characters with alternative lowercase a, e and g. Seven variations of numerals, true small caps with accents, manually edited kerning and Opentype features.
OTF | 16 Fonts | JPEG Preview | 4.4 Mb RAR
Zakia is informal script lettering font with a bunch of alternative characters to choose. Zakia uses OpenType feature such as swash and contextual alternates that can be found by using OpenType savvy program such as Adobe Illustrator and Adobe InDesign. Zakia font suitable for any kind of publications like logo design, branding, poster, packaging, website or blog, etc. It is stylish and flowing, feels like human handwriting by using a copperplate pen.
OTF | 1 Font | JPEG Preview | 4 Mb RAR
Leksa is an oldstyle, even a bit old-fashioned text family in 12 faces, including six upright and six italic ones, from Light to Black, with both oldstyle and tabular digits and true small caps. The typeface works best in the books of classical style, and looks good in both small and large point sizes. One of the main features of the typeface is its professionally-designed Cyrillic which (together with sans-serif companion Leksa Sans) was awarded for excellence in type design at Modern Cyrillic competition in Superfamilies category.
OTF | 12 Fonts | JPEG Preview | 2.1 Mb RAR
An elegant modern typeface with a subtle monoline appearance. The simplicity of the design creates clean forms best suited to identity, editorial and advertising uses. Details include 6 weights with italics, an extended European character set, manually edited kerning and Euro symbol.
OTF | 12 Fonts | JPEG Preview | 3.6 Mb RAR
